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Dapha music
Dapha music (Nepal Bhasa: दाफा) is a Newa artform in which singers and musicians perform devotional music, based on classical raga and taal system.〔(Paper:Understanding change in the Newar music culture: the bhajan revisited, Author:Ingemar Grandin )〕〔(Asian Images )〕 The music is performed by a group of musicians called Dapha khalah in places called dabu. Dapha is the oldest surviving devotional music of Nepal, with its origin in the 17th century.〔(Kathmandu University Department of Music )〕 The dapha music saw a growth in the early 18th century with royal patronage.〔 It expanded during that era to include sets of nine different drums that are standard today.〔 ==History== Classic devotional music has been in existence in Nepal for more than a thousand years.〔(उपत्यकाभित्रका भक्तिगीत तथा भजनहरू Author: Dr. Saphalya Amatya )〕 The time period between 11th to 17th century saw an increase in literary activity in Kathmandu.〔 Numerous devotional music, dances, and plays have been found from this era.〔 Most experts believe that the literary development during this era culminated in the development of Dapha music form.〔 The earliest treatise on dapha found till date is a book in Nepal Bhasa called ''Sangit Chandra''.〔Book:Nepalbhasa Sahityaya Itihas, Author:Premshanti Tuladhar, Publication:Nepalbhasa Academy, ISBN 978-99933-56-00-4〕 The book was written as an appendix to Natya Shastra by the king of Bhaktapur Jagat Jyoti Malla and his minister Vanshamani Ojha.〔 The book elaborates on Bharata Muni's Natya Shastra and Abhinavagupta's Abhinavabharati.〔 This was followed by ''Gayanlochan'', written during the reign of Jitamitra Malla. Gayanlochan focuses more on introduction to raga (and raginis), their characteristics, and performance.〔 Various treatises on musical instruments used in Dapha such as Taal anukaranam, Mridanga anukaranam, Panchataal baaja etc. have also guided Dapha over centuries.〔
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